Chrysogone Diangouaya

Afro Contemporary dancer


Dancer – choreographer and artistic director born in Congo-Brazzaville. 1992 Founded the Center for Body Expression, Dramatic Art, Stories, Percussion and African Songs and the first Congolese contemporary dance company, the Monana Ballet Theater. In 1994 Creates the Association of Young Creators of Brazzaville (A.J.C.) which its objective is to help the maturation of young talents and to show them to the general public. Later in 1995 Directs Coconut ballets (selection of the Avignon Young Public Theater Festival) and Koklondumn (first prize in Africa in Creation and selection at the International Choreographic Encounters of Seine-Saint-Denis).


In 1996 Chrysogone founded “Mabina Danse”, Brazzaville’s first choreographic festival, which will spur the emergence of many companies. 1998 In Exile, meets the choreographers Germaine Acogny, Carlos Orta, Avi Kaiser, Louise Burn, Elsa Wolliaston with whom he perfects his technique. In the year 2000 he settles in France. Later he tours as a soloist in Le Coq is dead Suzanne LINKE (Théâtre de la Ville-Paris). Collaborates as a choreographer with Equilibre Horse Theater directed by G. Dewez and J. Lloyd Francis, in Wales.

Chrysogone founded the company MONANA in order to continue with its many artistic, educational and socio-cultural actions. Here he works along with patients with Alzheimer, people with disabilities, in hospitals, schools and with children in difficulty. In 2001 Presents a first version of the solo Singur at the Dapper Museum and comes out with a new version of Koklondumn. From the year 2005 to 2010, he creates Nartikibehiki, the image of the salty wind at the National Dance Center where he presents three solos: The Echo of a Shadow, The Curtain of the Devil and What else. He also creates the KA BAA Festival, the Afrik’A’Wa Festival.


By the year 2012 Chrysogone founded the Chrysogone Diangouaya Dance Center in the heart of the 18th district of Paris and creates ‘Afrik’a’wa’ annual traveling festival whose fourth edition took place in Paris in 2016. He writes, choreographs and plays “The cry of the giraffe”. This show is programmed by the Théâtre de la Ville as part of the Children & Youth program. More recently, 2015 – 2017 Play in Kyoto forever, a play written and directed by Frédéric Ferrer.


Check out more about Chrysogone, his career as a dancer, writer and choreographer at

Chrysogone joined insightDproject in December 2017.

These photos are copyrighted by insightDproject. All Rights Reserved. Unauthorized use prohibited.

Genna Carey

Modern dancer

Everything started right here with Genna, we sat a couple of days before and talk it out, she was hooked from the very first moment. Even the first dance photos I ever shot was here in NYC, I wasn’t even sure which lens I had to attach to the camera; my first idea, and because of my skateboarding background, was to try out and be safe with a wide angle, in this case a 14mm as you can appreciate in the picture.

I remember it was a cloudy afternoon, our last sunlight in NYC and we were in a rush trying to find a spot to shoot the video. Finally we found this rooftop in Brooklyn where Genna improvised this marvelous choreography.

Katie Mattar

Modern dancer

We had a perfect weather that afternoon, trying to catch the golden hour. The spot was a private parking lot, but we didn’t know until the security guard showed up and told us we had to leave. We shot this video in about 30 minutes and this one sets the transition from color to black and white in the project. 

It took us around 6 days from 6AM to 8AM to have this shooting done in Cartagena.


Eli & Ricardo own a speechless, beautiful and inspirational vibe. When they dance together, it seems that the world stumbles and stops just to see them perform pure human magic.

Anthony Paul Panesso

Jazz dancer

Right after the photo session with Anthony and Lucía, Anthony wanted to improvised a quick choreography, so we thought we could make it down this particular ‘rue’ in Paris. Passage Taillandiers.


I, particularly, found it a little uncomfortable due to the fact that I wasn’t carrying the proper equipment for such a task, but in the end, we managed to have a cool, smooth session. 

The activity was carried out in Olaya Herrera neighborhood, the biggest in the city of Cartagena, Colombia, also storing extreme poverty over several areas. The intention was to conduct a pilot test of a dane workshop related to the project.

We had the collaboration of Huellas del Mar Foundation (Xiomara Monroy – Cedrick Contrera). The dancers, part of the iDp project, are Carolina Orozco and Greg García.

It was a special moment where we were able to share with the community part of the process we’ve been working on these last 3 years. 


‘What’s Beyond Dance’ marks the first exhibition by insightDproject. It took place in the city of Cartagena, Colombia on August 30th, 2018. We’d like to thank to the Alianza Francesa Cartagena de Indias for this opportunity to share part of the process. 


Also, we’d like to thank all the people (Dancers, choreographers, producers, consultants, musicians, coaches) involved with the project, and the ones who showed up on this special day for making this possible. 


One step at the time. Dance helps to change lives!

It was a 2-years-in-the-making video; an amazing experience. Days waking up early, getting to know amazing people, dancers, locations and cultures. Here’s the outcome of an amazing journey.



– Gladia Marchetti (Italy). Location: Paris, France.

– Carolina Orozco (Colombia). Location: Cartagena, Colombia.

– Ofelia Omoyele Balogun (Italy). Location: London, United Kingdom.

– Robert Prein (Netherlands). Location: Amsterdam, Netherlands.

– Annaloes Van Schuppen (Netherlands). Location: Amsterdam, Netherlands.

– Maurice Causey (United States). Location: Amsterdam, Netherlands.


Assistant Producers

– Cécile Jaouen

– Glenn Westphal

Greg, Darlyn & Ronald

Contemporary Dancers

It took us over a week to set it all, get the right spot, check on every detail of the choreography. The first day we shot, the energy was high because of the outcome we were having; the next day, when the second shooting session was in progress, we were all disconnected because we decided to use another location, I guess due to this the vibe was much different than the first day. By the time we finished the production day, early in the morning, we felt that we had to make some arrangements to feel the vibe we were experiencing the day before.


So the decision was to shoot all the performance on the bridge. What Greg, Darlyn and Ronald did, was to get back to the bridge spot that very same night, under the drizzle, after their working day and they adapted the choreography to the reduced space. The next morning (5:40AM), they were on time, excited and ready to call it a wrap. This video is the result of committed and passionate dancers giving it all to express what their bodies claim to feel. 


Hat off for these amazing perfomers.